This article will explain more about what a video switcher does and important features for your video production needs. We&#;ll also explain the difference between video-switching hardware and software and provide recommendations for both types of switchers.
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With a video switcher, you can record your content from multiple camera angles and switch seamlessly between them to create high-quality content. You can also use a switcher to add live effects to your streaming video , significantly increasing your production value.
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Whenever you see the angle of the field change during a game or see the camera shift from the interviewer to the interviewee, you&#;re experiencing a video switcher at work. Video switchers allow you to change between cameras and camera angles while recording. Many productions use them, including sporting events, news broadcasts, and interviews.
Video switching systems can be as simple as a two-camera setup or as extensive as a 10+ camera operation. Switchers allow you to monitor multiple video inputs to find the best way to tell your story visually.
In video production, a switcher refers to a piece of hardware or software that allows a director or producer to monitor and switch between different camera shots. Switchers have been used in recording studio settings for many years. They have grown in popularity among content creators as in-home recording setups become more complex.
A streaming video switcher is used the same way a director would use a switcher in a studio recording environment. Content creators can switch between multiple webcams and other input sources by pressing a couple of buttons. Video switchers are also great for streaming because they let you add live effects to your video to up the production value. Many software switchers have built-in encoders to ensure high-quality streaming video content.
An HDMI video switcher has HDMI inputs and outputs for creating and sharing high-quality video content. Then the switcher can connect to a PC or TV. Many pieces of video switcher hardware have multiple HDMI inputs for cameras and at least one HDMI output. Ensure to check the product specifications of a switcher for input and output information if you need an HDMI video switcher.
Video switchers have several uses to add to the production value of almost any type of content. Some of the most common reasons for using a video switcher include:
Recording a Podcast - Switchers are an excellent tool for changing the camera angle between hosts and guests during a video podcast.
Live Sports Events - You can use a video switcher to seamlessly change camera views of the field and players during a live sports event.
News Coverage - News programs use switchers to change news anchors during their broadcasts.
Church Services - Churches often use video switchers to capture their entire service program, from speakers to singers.
The primary purpose of a video switcher is to monitor multiple video inputs so you can find and broadcast the best video for your content. This could mean choosing the best angle for your host or not displaying the video of a camera experiencing technical difficulties. Using a video switcher takes some time and practice to master, but the more you do it, the more intuitive it becomes.
With most video switchers, you can easily change between cameras. Many have illuminated displays and clear labeling so you can tell which camera you&#;re selecting for your output. Consider which camera will capture the best visual story when monitoring your video inputs. Use this as a guiding principle when using your video switcher to produce content.
Whether or not you need a capture card depends on where you stream your content. Capture cards make sense for people streaming from video game consoles or more than one PC. A capture card isn&#;t required if you&#;re streaming from a PC using a webcam or screen recorder. However, you might need it when using an external camera or other devices.
The best video switcher for you will depend on a few factors, such as what you&#;re creating, the connected devices, your budget, and how you plan to broadcast your content. To help, we&#;ve highlighted the top seven below so you have an idea of specific features to look at. Keep reading to find out more about what makes a quality video switcher.
Make sure the switcher you choose can connect to all of your recording devices. Check the number of inputs you can connect to a switcher to confirm all of your cameras can connect simultaneously. Video switcher hardware is used more frequently to connect professional video cameras and camcorders for video switching. Meanwhile, a software video switcher is primarily used for webcams. If you&#;re using hardware, make sure your cameras are compatible. If you&#;re using software, make sure it works with the webcam type.
How do you plan to broadcast your content? Before choosing a video switcher, have a clear idea of how you&#;ll broadcast your content and the outputs you&#;ll need. HDMI and SDI outputs make it simple for you to connect to a TV, projector, or other pieces of equipment for broadcasting content. A USB output makes it much easier to connect your video switcher to a computer for streaming content.
All video switcher software comes with a &#;multiview&#; option that allows you to see all of your inputs on your computer screen simultaneously. Make sure the video switcher you choose has a display screen if you don&#;t plan on using it with a PC or other piece of video monitoring equipment. An LCD screen lets you preview all of your video inputs at once, so you know the best camera to switch to at any given time.
Always check the video quality of any switcher. Many switchers come with an encoder, which will protect the quality of your video while streaming live content. When checking the compatibility of a switcher&#;s inputs, also find out the video quality supported. Most modern switchers have HDMI inputs that allow high-quality video content to capture.
Your equipment budget will play a large part in the switcher you choose for your setup. While there are quality-free or budget-friendly switchers out there, you&#;ll have to pay a little more for more advanced features. Have a clear idea of your budget before you start looking for a switcher. Consider starting with a free switcher software program if you&#;re a beginner or your budget is especially tight.
Make sure the switcher you choose provides all the control you need. Some video switchers have features to mix audio and perform other video editing services. If you need to add effects with the press of a button or switch between multiple audio sources, choose a video switcher with all of these control capabilities.
Special effects are a great way to add production quality to your videos. If effects are essential for your content, choose a video switcher with all the bells and whistles you need. Many video switchers have effect options like picture in picture, transition effects, and green screen capabilities.
In our digital world, online content is king. Because of this, companies have begun making equipment tailored for online content creators. If you&#;re looking for a video switcher for live streaming, pay special attention to the types of output the video switcher hardware has and whether or not it integrates easily with online sharing sites like Facebook and YouTube. The best video switcher for live streaming content for you will depend on your budget and the features you need. Below, we&#;ve highlighted the key features of four of the best:
Blackmagic Productions is popular for creating high-quality and highly-versatile equipment like the ATEM Mini Pro. This HDMI video switcher is easy to learn and comes with a built-in encoder that ensures your live-streamed content always looks clear. The Blackmagic video switcher allows you to switch easily between multiple camera angles with the touch of a button. It even integrates with some gaming consoles.
Top Features:
Good For: Anyone looking for a portable video switcher will appreciate this lightweight, easy-to-use switcher.
Amazon reviews show video producers love the Roland V-1 because of its power and compact size. The Roland video switcher allows you to switch between four video inputs with programmable audio delay. You&#;ll get the correct video and audio sync, no matter your setup. The main drawback of this switcher: it does not provide any recording options and can function as a video switcher.
Top Features:
Good For: This video switcher is a great option for creators looking for an all-in-one video and audio mixing solution.
The RGBlink mini offers picture in picture, transition effects, and external audio embedding along with its compact size. The hardware allows for up to 4 HDMI video inputs. The RGBlink live video switcher features a large t-bar that makes it easy to switch between inputs seamlessly. The onboard LCD lets you monitor all videos simultaneously.
Top Features:
Good For: Video creators who need to shoot and edit on the go will enjoy the RGBlink. With its compact size, you can use transition effects directly from the console.
The Elgato Stream Deck was explicitly designed for live streamers to switch between multiple inputs and add video effects with just the push of a button. You can switch between cameras and perform other video productions tasks quickly and seamlessly through its customizable 15-button control panel. The simple control deck gives you total control over your content. And, you can easily create professional-quality audio and video. This USB video switcher is versatile and can plug into any PC with a USB input.
Top Features:
Good For: This hardware was explicitly built for live streamers who use multiple camera angles when filming their online content.
Get StartedVideo switcher software is a great budget-friendly. It won&#;t take up any more space in your equipment setup. Plus, it&#;s easy to use or if you&#;re intimidated by all the buttons and knobs on a traditional video switcher. A software video switcher also offers an excellent choice for anyone with limited space. We&#;ve chosen three top video switching software programs based on price and ease of use. Keep reading to learn more about using software to connect to and switch between your recording devices.
OBS is prevalent in video production because it&#;s free and straightforward to use. You can learn a lot about video production by downloading the program, learning how to record with OBS, and toying with its video switcher and video editing features. Many people enjoy OBS because the controls are intuitive, so you don&#;t need any technical experience to produce professional-quality videos. OBS is sponsored by and integrates easily with social platforms that include YouTube, Facebook, and Twitch.
Top Features:
Good For: OBS is a great option for beginners and anyone looking to complete their video production on a tight budget.
Wirecast was designed with professional streamers in mind. This highly versatile software is used as a video switcher for church services, broadcasters for live sports events, and a digital marketing tool for businesses. The software allows you to split your screen and monitor up to 17 input sources at one time! The software has top-of-the-line encoding, which means you will still get outstanding picture quality while live streaming.
Top Features:
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Good For: Professional streamers will appreciate the advanced features and high-quality audio and picture live streaming output Wirecast provides.
vMix makes it easy for you to make your content more dynamic and engaging using the software&#;s recording and production features. It&#;s a great switcher for streaming because it integrates easily with video hardware from Blackmagic Design, Magewell, Elgato and is compatible with all types of cameras, including webcams that record in SD, HD, or 4k. The software allows you to stream instantly to platforms like Facebook, YouTube, or Vimeo, and it also provides SDI output for TV screens or projectors.
Top Features:
Good For: Professionals looking for a comprehensive recording/producing platform will love the features vMix provides in addition to video switching.
The market is full of outstanding video switcher hardware and video switching software. Make sure to have a clear idea of your needs and budget before shopping for one. Each type of switcher has its pros and cons, so the best video switcher for you will depend on how you plan to use it and the kind of content you create. Most online creators prefer a combination of video switching hardware and software for their video production needs.
Do you still have questions about switchers and how to use them to change video sources while filming? Take a look at the answers in our FAQ section to learn more about video switchers and how to use them for video production.
The best way to switch seamlessly between camera feeds is a video switcher. Video switchers can be either a software program or a piece of hardware that allows you to change camera angles while filming. The best video switcher for you will depend on the price and your unique filming needs.
Yes, OBS is a video switcher. The program allows you to stream from up to 8 input sources, and you can switch between input sources using the program&#;s Multiview feature.
A video switcher is most often operated by the director or a technical director in a studio environment. However, anyone can use a video switcher in content creation because most modern hardware and software programs are designed to be highly user-friendly.
The Blackmagic Design ATEM Mini is one of the best and easiest ways to do more than just stream multiple cameras, and at first, it might seem like an expensive gadget for most photographers. But this last year has shown us a lot of businesses can succeed remotely and even after things return to some level of normalcy a few things are probably going to stay that way. The Blackmagic Design ATEM Mini series of devices take all the hardware and software you need to do complete live video productions and puts it into a smaller, affordable (compared to traditional broadcast gear), and simple yet feature-rich device accessible to anyone.
I was first introduced to the ATEM Mini by a wedding photographer friend who started adding streaming to his wedding business during Covid. Even though a lot of people delayed their events, by offering live streaming he was able to adapt and keep his business busy over the last year. He already offered photography and video service so streaming live with the help of two ATEM Mini Pros made going live simple.
Now adding live streaming wouldn't help me with my clients but I was looking for a better way to do online meetings and workshops which after all my live appearances had been postponed or canceled started moving to Zoom. I was struggling with the Canon beta utility that is still pretty buggy, and wanted to go bigger with full workshops and multiple cameras. After seeing how my peer was using it and doing further research on what options were available the ATEM Mini seemed like the perfect tool for the job.
Full disclosure, Blackmagic Design made available to me a demo model for testing. However, the opinions and following review are mine alone, and Blackmagic Design hasn&#;t had any influence or feedback on my review process or this article. Additionally, after, as a result of reviewing the product, I ended up purchasing one for myself.
Black Magic Design has an entire line of expensive hardware switchers for doing live broadcasting for television and production studios under the ATEM name. The ATEM Mini line of products is a more portable version of these switchers with some additional features that make them perfect for someone doing a lot of zoom calls at home up to full production studios who need to stream live on location.
Learning and even utilizing all the advanced features of the ATEM Mini especially each step up the line is a daunting task, one I&#;m still working my way through. So this won't be a comprehensive review of each device&#;s full capabilities but rather a look at how I utilized both the Mini and Mini Pro ISO and an overview of what makes the devices special and how they differ from each other.
At its basic level, the ATEM Mini is a video switcher that allows you to switch between multiple input sources in this case HDMI and output to your computer as a single video source or in the example of a Zoom call your webcam. For a lot of people, one camera is enough for all their streaming needs, and using free software like the Canon Beta utility or even a device like a Camlink will let you use your DSLR or Mirrorless camera for better video quality. I wanted to be able to do more. During client meetings I wanted to be able to switch between multiple computer desktops more seamlessly so I could play a video then prep a slideshow and switch right to it without having to minimize windows or reshare my desktop. I wanted to be able to have a second camera during lectures or group forums where I could demonstrate something in my hand like camera settings. With multiple cameras, I was even able to do a portfolio review with a potential client where I set up a top-down view of my desk with my physical portfolio spread out. That particular client had never been presented to in that way and it helped set me apart.
I tried using the Canon utility but it's buggy and doesn't do camera audio. You could buy a Camlink or similar device and that solves the audio and gets you HDMI output from your camera to your PC but that costs $115 and only allows for one camera. If all the original ATEM Mini did was allow me to switch between 4 HDMI sources and output as my webcam I think it is worth the $295 for the basic model, but as I learned how to use it I realized it can do so much more both in its hardware and the additional software that comes with it.
With the release of two new models this year, there are now 5 devices in the ATEM Mini line. This is because, since the release of the original ATEM Mini, Blackmagic Design has paid attention to its users, both in the creative ways they were using the device and in the feature requests they wanted. They have done several firmware and software updates adding more features and each new device has added additional hardware options expanding its functionality to a wider audience not originally targeted by the first device.
For this review, I will be focusing on the original Mini (which I now own), Pro, and Pro ISO (which I demoed for this article). Both of the Extreme versions expanded the available input ports from 4 on the previous three models to 8 and added a bunch of more advanced broadcasting features. These are both far beyond the average user's needs, myself included, and are better suited for bigger production studios. The Mini, Pro, and Pro ISO all share the same physical body at 9.35" wide, 4" deep, and 1.38" at its tallest point, with the Pro and Pro ISO having additional hardware buttons and software features.
I think what makes all the ATEM Mini switchers so successful is just how easy they are to set up. I didn't have very much experience with broadcast panels before using it but after just connecting all the cables with no additional software it was up and running. For all its advanced features and capability, its plug-and-play usability is what sets it above the competition.
In addition to its 4 HDMI inputs which can piggyback audio from the source, the mini includes 2 dedicated audio ports. On the face of the switcher, there are buttons to turn audio on/off for all 6 inputs as well as the ability to turn each one up or down. For the 4 HDMI inputs, you have the option to individually set them to AFV or Audio-Follows-Video. Each of the 4 HDMI inputs has a large dedicated button that turns red when selected indicating it is currently the live source. It is very easy and quite satisfying to click between all 4 sources. Next to those you have a small button for a black screen and one for a still that can be loaded in the software. I found the still button great for having a picture and my details up before going live to video. While you can upload several stills to the software in advance there is no hardware button to rotate or select them. From a production standpoint, I suppose this makes sense but as a single individual, it would be a nice feature to have even if it was just cycling through them.
In the software, you can set up the switcher for Program/Preview mode which I found to be my favorite way to use it. Preview mode allows you to click an input to go live(program), indicated by a red light then click a second input setting it to preview indicated by a green light. Using the HDMI output you can see the single preview feed on a second monitor. To switch from the program input to the preview input you then either use the CUT button or the AUTO button. CUT does a simple hard cut from one to the other while AUTO initiates a pre-decided transition from one to the other. There are buttons to set up a variety of transitions and durations. In the first workshop I did with the ATEM Mini I received a lot of positive feedback on the transitions alone.
Examples of various software features available including a remote control panel with chroma keying and PIP, Audio mixer panel, Media panel, and Blackmagic Design camera remote control panel.
The last buttons I want to mention are for the Picture in Picture and Chroma Key functions. I didn't have a need for the Chroma key feature but I did test it out and it was pretty impressive for doing it live. It also works in conjunction with the PIP feature that turned out to be very useful even if kind of a novelty. You can set up both functions in advance via the software and then enable them using the switcher buttons. I found the PIP useful for talking over examples like tethering live shots or when using overhead camera setup.
In addition to everything included in the ATEM Mini version the Pro and ISO versions come with several additional hardware and software features.
The biggest feature for my needs was the ability to have Multiview monitoring, something I think should have been available on the Mini. Combined with program/preview mode and connected to any monitor the Pro can show you all 4 inputs plus a side by side of the program(live) feed and the preview feed. It is not 100% needed when using it in almost all the setups I used it for but it is just such a great feature to have if you are using multiple cameras. There are some workarounds if you want this feature on just the Mini but they will make your setup more complicated by adding additional software or buying a dedicated preview monitor. Unfortunately, that feature alone does not warrant paying the cost to upgrade from the Mini to the Pro.
Where the Pro really is worth the money is if you need to be able to record your live streams. Again for the average photographer who might use this for client meetings, remote conferencing your crew, or just better zoom calls, recording is probably overkill. If you plan to do lectures and workshops, offer live streaming to your clients etc., it is a necessity. The Pro comes with a dedicated Rec and Stop button that lets you record directly to a USB flash device like a Samsung T5 SSD. It will record the entire Live stream with audio to a single H.264 file. If you are outputting to a monitor with multiview it shows a separate screen to indicate you are recording, the runtime, and your storage usage/availability. This is perfect if you want to upload to a service like YouTube later or give a copy to your clients.
Another new feature of the Pro is Live streaming via ethernet at the push of a button to services like YouTube Live, Facebook Live, or Twitch. Once setup this bypasses the need to connect a PC allowing for a cleaner setup and better quality stream. Just like with recording when monitoring there is an On Air screen that lets you know when you are live as well as runtime and bandwidth. Next to the Rec and Stop buttons you&#;ll see a matching pair of On Air and Off buttons. I didn't have a chance to test any of the streaming live features as it's not something I really have a need for but I talked to some YouTube friends who said the ATEM Mini Pro has been a game-changer for simplifying and streamlining their desktop setups.
If you have a need to edit the footage after streaming you might want to upgrade to the Pro ISO. The ISO version of both the Mini Pro and Mini Extreme step up the recording capabilities by allowing you to record each input source individually as well as the Program (Live) feed. That's five recordings and audio recorded to your SSD for later post-production.
Setup for Lou Jones workshop, including two cameras, wireless lav mic, and a tethered camera on set to a second laptop running Lightroom.
As I&#;ve mentioned I have used these devices in several different ways. As a simple camera and audio connector for everyday zoom calls to more complicated workshop setups with three cameras, two lavalier mics, and a live tethered camera connected to a laptop running Lightroom. In every situation, I had no issues broadcasting, and other than needing a ton of cables to set up was intuitive and simple. While there are a ton of more advanced and customizable broadcasting features built into the software that comes with all of these devices to do just about everything I mentioned in this review all you have to do is plug it in.
Two camera setup for Lou Jones workshop.
The first workshop I did only days after receiving the demo model was for another Boston photographer who had asked me to help him up his production value during his streams. I watched a couple of videos and did a test run and was able to produce a great workshop for him. It really is that easy of a device to use. Could the workshop have been streamed with just a single camera without the ATEM Mini Pro ISO, of course, but with it I was able to put on such a better experience for his audience. It allowed me to set up live tethering to Lightroom, so people could see the images as he was taking them.
Setup for my own workshop. Three cameras, wireless lav mics, and a second laptop running additional media. Image credit Jason Pietroski
For one of my own workshops, I used a very similar setup just with the ATEM Mini. I was able to have a wide shot of me talking, a second camera setup for tight detail shots on my astrophotography rigs, and a third camera setup as an overhead rig so I could demo the Astro apps I use on my cell . I connected two wireless Lav mics one for me and another for my assistant producing the show so he could help with questions etc. The whole setup ran so well that it really took a lot of the stress off my shoulders and I could concentrate on the workshop itself.
After using the demo model I picked one up for myself even though I could just rent one for workshops, I enjoyed using it for all my video calls. I hate doing video conferencing and video or audio issues on both ends can be so frustrating. At $295 I solved all my audio and video problems, can easily use my Canon cameras and wireless Lav mic, and have set up a graphic on the bottom of my video feed that says my name and website. I always get complimented on my video quality and the transitions between video and my desktop content. I realize not everyone needs a switcher for their conferencing calls but I think a lot of people can benefit from incorporating one into their business especially as we transition out of the pandemic. Hopefully, I&#;ve given you some ideas on how you can use one for your own needs.
I&#;m looking forward to trying to do some more advanced features. I want to try streaming with wireless HDMI transmitters and get some handheld camera work involved. I&#;d also like to experiment with cell connectivity and try a workshop on location or stream live on an assignment. As I mentioned in the beginning there are considerably more features packed into the software options bundled with the device for controlling Blackmagic Design cameras, audio mixing, and more. But this review is already too long and I hope this covers the overall main features most people will be looking at first. I think there are a lot of great possibilities for photographers to utilize any of the ATEM Mini series devices but what ideas do you have that I might not have thought of?
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